Roland Dyens Night And Day Rarlab

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Dyens

Roland Dyens - Night and Day. Chansons Volume 1.Roland Dyens (October 19, 1955 October 29, 2016) was a French classical guitarist, composer, and arranger.Night & Day. Roland Dyens (1. Night And Day Dyens Pdf Printer. Composed by Dizzy Gilespie and arranged for classical guitar by Roland Dyens. Roland Dyens - A Night in.Night & Day (Roland Dyens) En esta ocasin dejo el mp3 de esta genial obra dedicada a lo ms clebre del Jazz de parte del maestro Francs Roland DyensLos arreglos de Roland Dyens para guitarra de los estandard de jazz, son una referencia y un material indispensable para el guitarrista clasico.Night and day roland dyens pdf Night and day roland dyens pdf Night and day roland dyens pdf DOWNLOAD!

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I'd be surprised if he wasn't using his Fanton D'Andon. I understand he's also performed with a Darryl Perry but that may be more recent than this recording.

No idea about the miking technique. The arrangements are astonishing (and astonishingly difficult) and the performance is amazing but, though I'm a devoted Dyens fan I find that the performance are a little stifled. To breathe, jazz needs improvisation, and somehow you can tell when listening to these pieces that the improv sections are not improv at all - they're composed to the last detail and performed the same way every time. It's great, it's beautiful, it's amazing, but it's not exactly jazz.

Magsman wrote:It's great, it's beautiful, it's amazing, but it's not exactly jazz. I completely agree - and it's glorious just the way it is. Dyens brings his musical gifts - and compositional gifts - to this project, using a classical guitar, not a jazz guitar, coming at it from his classical background and bringing something new to it.

It's ironic you miss the improv, because Dyens is a big believer in improv, and begins each live performance with an extended improvisation to 'invite the audience in,' as he puts it. It's kind of like the way David Gilmour of Pink Floyd plays lead guitar.

Dyens

He doesn't have Clapton's improvisational gifts, but rather composes his solos, repeating them in live performance. But that's his gift and he's honoring it. I wouldn't want it another way. Gary-n-la wrote. Dyens is a big believer in improv, and begins each live performance with an extended improvisation to 'invite the audience in,' as he puts it. It's kind of like the way David Gilmour of Pink Floyd plays lead guitar.

He doesn't have Clapton's improvisational gifts, but rather composes his solos, repeating them in live performance. But that's his gift and he's honoring it. I wouldn't want it another way. Wow you northern hemisphere guys are lucky! I'd give me my right pinky to see a live Dyens performance - the up-front improv sounds amazing!

Roland Dyens Night And Day Rarlab

Well I don't know anything about his guitar or recording setup, but the entire NaD album quality is superb. As for the Night and Day title track, I really like the crystal-clear clarity of the opening with its delicate harmonics, and absolutely love the tempo contrast when the surdinho and chocalho liven things up.

My favorite up-tempo pieces on the album are actually Bluesette and Take The 'A' Train. But similar to ben, I also like the quality of some of Dyens' arrangements on his Nuages album - especially Felicidade (Jobim) and Nuages (Reinhardt). Heck IMHO, everything to do with Dyens - improv, stage presence, audience connection, performance, composition, arrangement and recording is quality. Magsman wrote:I'd be surprised if he wasn't using his Fanton D'Andon. I understand he's also performed with a Darryl Perry but that may be more recent than this recording.

No idea about the miking technique. The arrangements are astonishing (and astonishingly difficult) and the performance is amazing but, though I'm a devoted Dyens fan I find that the performance are a little stifled.

To breathe, jazz needs improvisation, and somehow you can tell when listening to these pieces that the improv sections are not improv at all - they're composed to the last detail and performed the same way every time. It's great, it's beautiful, it's amazing, but it's not exactly jazz. With respect, I don't require improv to consider music jazz. There's a wonderful old RCA of John Lewis and Svend Asmussen in 1962 which I don;t think has much/any improv but it is the most lovely jazz recording. Just another POV.