• Johnny Juliano Instrumentals Free Download
• Johnny Juliano Beats Instrumentals

Listen to free mixtapes and download free mixtapes, hip hop music, videos, underground. Johnny Juliano Beat Vault Instrumentals. Johnny Juliano. Rating: 5 Stars. Listens: 50,319. Mixtape Cover. Black K3yz Presents 'over-time Vol.1' Beat Tape. Rating: 3 Stars. The Other Side Beat Vault Vol. Beats and Instrumentals Charts - The First Internet Charts (SM). Leasing/selling beats? Can these people make $? Beats and Instrumentals Charts - The First Internet Charts (SM). I really like some of Johnny Juliano's stuff, been checking his stuff out for a while now. 16th April 2011 #10.

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Slowly but surely, unreleased Deathrow material is finding its way out of the mysterious Deathrow Vault. This track is allegedly the first single from Danny Boy’s shelved debut album. Dre’s drum programming is on point as usual, but there are elements of Sam Sneed’s synths and piano chords to be heard. There’s nice bass playing throughout. It sounds like it was recorded in 95/96.

The Vault contains the original masters of all the Deathrow recordings. They’re estimated to be worth around several hundred million dollars. (Imagine all the albums, compilations and re-releases that could be made from them.) Dr Dre is said to keep them in a vault in his L.A mansion, however a Canadian based group, called purchased them from Suge. Technically, they’re the owners. Anyway, this one’s for the RnB inclined out there (Produced by Dr Dre) (Rip or download before it gets taken down).

Kane Beatz a.k.a Daniel Johnson, is a producer from Orlando, Florida. He’s managed to work with a lot of prominent Southern rappers and is currently working on several Atlantic and Young Money records. In 2006, he was discovered on Soundclick by Atlantic Records A&R, Mike Caren (one of the top a&r’s in the business). This is more proof that Soundclick is a good outlet for producers, as long as you can stand out from the crowd. His sound is nothing too different, mostly catchy, synth based beats. They’re good to dance too in the club,and good for radio. Even though he’s signed a publishing deal with Warner Chappell, Kane is still leasing beats on Soundclick for as little $100.

You might remember Chase N Cashe of Surf Club from In November 2009, the New Orleans producer released LOVEnd. LOVEnd is a 13 track mixtape of unused instrumentals, produced by Chase. The beats are but there are, and at times the drum programming reminds me of. I like the on several of the beats, there’s some good guitar work to be heard here. The beats on this mixtape are heavily layered, some. I could see the likes of, Kid Cudi, on some of these beats.

The right hook could make these into good records. Ge-Ology is a Hip Hop/ Broken Beat producer from Brooklyn. He’s been doing his thing for many years, and earned his first album credit when he produced some for Rawkus back in 98. One of these tracks was on Mos Def’s classic Gold selling album, Black On Both Sides.

Around 2003 to 2005 he helped produced a Gold selling album in the UK and produced in New Zealand, Australia and Europe. In 2005, he released Ge-Ology Plays Ge-Ology, a 30 track, mostly instrumental LP. The instrumentals are very textured, so you can find yourself doing some deep thinking while listening to them. It would be nice to hear some lyrics over them though.

The beats are spacious and laid back, but the drums always hit hard, like most of the Bling 47 producers drums. If you didn’t know any better you could be forgiven for mistaking some of them for the late Dilla’s beats.

(my favorite beat on the LP). I need some I got into the industry through Bad Boy Records. One of my mans was security for Puff and was able to get me a job as part of Bad Boy street team.

After a year I ended up in the promotions department. This involved mixtapes, dj’s, parties, radio etc. Anything that could get the music vital exposure, I helped with. The security would hire unsigned rappers to write material, with no royalties included, and split it two ways. As far as I know, he was the first person in the industry to do this. He hit the big time when a Def Jam A&R asked him to get writers for several tracks on a female rappers debut album.

I wrote the hook on 2 records. The venture was a success, until these managers stopped paying him. He couldn’t threaten them because they now had legal teams. Big corporation VS small medium enterprisehe never stood a chance, though he did manage to settle outside of court. Anyway,this opened my eyes.

In the music world they call this management, in the banking world they call it brokering. I saw that some managers are nothing more than middle men,who just happen to know the right people.

It inspired me to do the same. I would go round Harlem looking for talent, and paying them a one off fee, exclusive of royalties, to write records. They always got paid, even if the rappers tried not to pay me I would pay the writers. Today I mainly deal with producers and writers in selling songs to majors. I saw how payola and SoundScamming worked while I was at Sony/Columbia Urban Promotions Department. I saw and heard your favorite rappers get cussed out with racial slurs by white execsblack this.n.gger that.

I get at least 2 e-mails a month from lawyers attempting to intimidate me on behalf of.insert clueless major label here. It’s frustrating because I started this blog to talk about ghostwriting but legal shit keeps preventing me from doing so. Gag orders FTL (no homo). As I climbed up the proverbial ladder of the music industry, I saw that many A&R’s didn’t and still don’t know shit.

You have to look at it from this perspective. Many A&R’s are from middle class, suburban backgrounds, who went to college and Majored in Marketing, Communications etc. Many of them don’t have a fucking clue about hip hop culture or hip hop music. They just know how to make you buy shit. They know how to spend your budget up by going on cruise ships with their wife.

This is an industry where white collar crime is widespread. Realistically, A&R’s should be hip hop fans.

Who knows what the people want better than a hip hop fan? Loud Records had some of the best A&R’s in Hip Hop, mainly because they knew what the fans wanted. The main issue I have with the structure of the music industry is that Blacks and Hispanics are underrepresented in the highest levels of the music industry. It’s damn near whitewashed. The main shot callers are fucking dinosaurs, b.These dinosaurs are old fashioned, prejudiced motherfuckers. I’ve seen this first hand when I worked under Sony/Columbia. The main consensus is that they don’t want Blacks and Hispanics to have any type of leverage in the industry.

The fancy term for this is institutional racism. But on the other hand, the artists who work for the dinosaurs are just as bad. Many lack loyalty, some are egotistical and greedy, this is why I only deal with producers now. Rappers are too quick to throw themselves at any slave deal offered to them. The dinosaurs know that these artists tend to come from deprived backgrounds and have very little knowledge of contracts, therefore they don’t bother to get a good attorney to represent them.

This has been going on since the 1920’s when black musicians would get exploited by white managers and executives. (I’m not playing the race card here, just stating facts.) Yes, the music industry has made a lot of Black and Hispanic people wealthy, but where the fuck are we in the boardroom? So what if LA Reid is the highest ranking black exec.what the fuck does that even mean, seriously?

There is a glass ceiling we still can’t breakthrough and contrary to popular belief, we are not in control. It’s one of the great myths of hip hop, like the myth that only white teenagers buy music.

Pure propaganda. Wu-Tang Records, Rawkus Records, No Limit Records, and Roc-A-Fella (until 1996) were all big independent players in hip hop.

Michael Jackson, Jobete, James Brown, Sam Cooke were all major publishing players. They were not owned by the Big Four until the last 5-10 years. It’s a sad state of affairs right now, but we need to take back a certain element of control from the majors. Forgive me for typing in caps but, THE MAJOR LABELS CANT SURVIVE WITHOUT BLACK MUSIC. YOU AND YOUR PUBLISHING HOLD THE POWER.

Johnny Juliano Instrumentals Free Download

Check the charts, check your record collections. Country music is a lucrative genre industry too, but it doesn’t cater to the wide variety of people that Hip Hop or R’n’B does. Anybody who says Soundclick is dead must not know any better. Johnny Juliano is a producer from Pittsburgh, Pennsylvania. Smart A&R’s, producer managers, and rappers, check Soundclick regularly and it seems to be working for this young producer.

There are plenty of industry dudes who buy beats from Soundclick. His name started to ring bells when he started collaborating with fellow Pittsburgh native, Wiz Khalifa. The two seem to have a good musical chemistry. Juliano has been a big player behind the 22 year old’s sound and progression as an artist. Johnny is able to play keyboard, which he tends to use to layer over samples or create mainly synth sounding beats, while his drums are mostly 808 based.

(This was one of my favorite beats last year, its also ). “All the producers in ‘Mass Appeal’, they strive for certain things,” he continued. “Like Polow will go in and say we need to make a pop record, we gotta make a Top 40 and that’s what he’ll make. See, I create organically and it becomes mass appealed. That’s why I feel like I’m better. I don’t do what is going to make me money or what the DJs are going to want to play.

I just do me. Windows keygen download. And everything that I’ve done has been knocked down in the beginning, but at the end of the day it sticks to the walls. It don’t take a label to back it up, it just blows because people want different shit.” “Honestly, I’m better than all them peoples.

I’m not disrespecting them because I was influenced by Timbaland and Neptunes and all of them, but your time came and went. There’s time for other things to happen.” “A lot of them producers, some have a sound and some don’t. I think Polow kinda does whatever, he doesn’t have a certain sound, he emulates other peoples stuff. To me, he’s probably a well-sought-out producer, but at the same time its about who you’re with, who you’re around, who’s getting you the work,” he continues. “I don’t have assistance so I’m not in Jimmy Iovine’s face. I don’t get all the Interscope work, I create the work.

That makes me better because I don’t have people in my pocket. My sound is so powerful that the artist love it and it skips all the middle men. All my beats have been placed by getting it directly to the artist. I don’t really need nobody cosigning.” There’s a reason The Neptunes are still around. They are real producer’s involved in every aspect of making a record.

Say what you want about Polow, but The Neptunes can play, arrange, write, you name it they can do it. Not many producers have lasted over 15 years, especially in hip hop. Timbaland can re-invent his style whenever his sound gets heavily imitated. I’m not even a fan of Polow Da Don’s Garageband beats either.

Yes, he already had the connections from his former record deals at Sony and Interscope. But it turned out he was one of the best drum programmers around.

Johnny Juliano Beats Instrumentals

He was highly sort after by many producers such as Will I Am,Ron Fair, Jazze Pha to program drums, often going uncredited, just like Brian Kidd and Nisan Stewart. Bangladesh’s sound was innovative, but it wasn’t groundbreaking. 808’s been around since Miami Bass music, Luke and 2 Live Crew. His earlier beats with Ludacris are different to his current. He should stop feeling himself too much, because he will become extinct if he doesn’t change his style up.

It happens to nearly every producer at one point. Dre McKenzie is a G-Unit A&R. G-Unit are always looking for producers to give placements to. These dudes won’t give feedback unless they use your beat. They should get back to you in 3 weeks. What You Need To Do: Go to. It’s easy, no sign-up needed, and each folder is free up to 300mbs, and it doesn’t expire fast.

1) Create and place a zipped folder on your desktop (or wherever you know to look for it) 2) Throw all the beats into that one folder 3) Upload to sendspace.com (label the folder “your name with email and phone #”) 4) Copy / Paste the link into your own email and send the link to dre@g-unitrecords.com. Good luck, stay hungry.